Daniel Day-Lewis Voices Frustration Over The Method Approach Being Compared to ‘Behaving Like a Lunatic’ – And That’s Precisely the Reason It Captivates Us

It’s been quite some time since the public saw or heard from the acclaimed actor Daniel Day-Lewis. Following his announcement in 2017 that he would cease to work as an actor, prior to the debut of The Phantom Thread, Day-Lewis quietly faded from view. However, in his absence, his reputation expanded further.

The Mythos of His Acting Method

Largely, this reputation revolves around his preferred approach to roles. Being an actor known for immerses himself in his characters – for example, while filming Lincoln, reportedly asked the director address him as “Mr. President” throughout the shoot – the world has grown increasingly obsessed with how he works. Did he actually sent messages to co-star Sally Field in character as Lincoln? Did he only eat animals he’d killed for The Last of the Mohicans? Did he demand being spoon-fed for My Left Foot?

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Currently, Day-Lewis has returned in the limelight, somewhat reluctantly, promoting his latest movie Anemone. He is using this to vocalise his anger at how the Method technique is viewed. “I’m a little cross nowadays when I hear all kinds of people talking carelessly and using phrases like ‘gone full method’, which I think is meant to imply that a person’s acting insane in a drastic way,” he stated to a major publication. “Everyone often concentrate on the less important aspects of acting, and these elements typically include some sort of self-flagellation or a situation that causes a severe discomfort or mental instability. But of course, in the life for a performer, it must mainly focus on the internal work.”

An Industry of Imitators

Frankly, it appears like Day-Lewis has emerged from his retreat and found himself aghast at the acting community that has been created in his image. When you are regarded as one of the greatest actors in history, and your approach includes headbutting a dummy to the point of injury (in Gangs of New York) or enduring 48 hours in solitary confinement deprived of sustenance (for In the Name of the Father), then it stands to reason that fellow performers will want to emulate that example by imitating their idol.

Functionally Italian … Lady Gaga starring in <em>House of Gucci</em>.
Functionally Italian … Lady Gaga in her role for House of Gucci.

Essentially, we now live in a landscape full of half-cocked Day-Lewis impersonators who want nothing more than to show the world the extensive degree of dedication they put into their roles. At the shallow end of this trend we have people like Lady Gaga, who was determined to win an Oscar for House of Gucci that she dedicated the entire promotion attempting to persuade people that she transformed into an Italian native for a year and a half as preparation.

Additionally, there is Jared Leto, who chose to deeply embed himself into the role as the Joker (for Suicide Squad) by sending “disturbing” gifts to his castmates. These items, according to various accounts, range from dead pigs and rats to anal beads and personal hygiene products, though the actor refuted those worst excesses. Then, naturally, there is Jim Carrey, who immersed himself so fully as Andy Kaufman during Man on the Moon that filmmakers literally managed to get a feature-length documentary out of B-roll of him causing difficulties to the utmost for everyone around him.

Contemporary Method Practitioners

The foremost practitioner of the Method at the moment seems to be Jeremy Strong (formerly Day-Lewis’s assistant), whose process during Succession was so laboriously intensive that it formed the basis of a critical New Yorker profile, including statements from individuals who were either concerned for his behaviour (“It’s the cost to himself concerns me,” said co-star Brian Cox) or extremely irritated by it (“I recall him causing everyone else roll their eyes,” said an anonymous cast member).

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There are so many other examples. Andrew Garfield abstained from sex over half a year for Silence. Leonardo DiCaprio rested inside an animal carcass during The Revenant. It’s quite possible that Austin Butler continues to talk like Elvis Presley, three years after that film came out. Each of these instances, in part, is meant to invoke the dedication with which Day-Lewis approaches his craft.

A Noble But Uphill Fight

Moreover, although his rebuttal against method detractors might be noble, a short publicity tour may prove insufficient to alter perceptions, let alone their behaviour. Perhaps if he wishes to remind people the true essence of the Method, or to demonstrate what it can achieve, then the optimal strategy for Day-Lewis is to just start making additional movies. Certainly we could all get behind that.

Cindy Johnston
Cindy Johnston

Maya Chen is a film critic and entertainment journalist with over a decade of experience covering Hollywood and indie cinema.